February In Film
The Fabelmans The film follows Sammy Fabelman (Gabriel LaBelle), a young aspiring filmmaker dedicated to his craft who must negotiate the challenges posed by familial strife. Any resemblance to a real director is I presume entirely coincidental. One of my issues with the family early on is that they’re almost insufferably twee and not a great deal of interest seems to happen. The film’s central familial conflict feels somewhat implausible and is centred around Sammy’s mother Mitzi (Michelle Williams). I have enjoyed Williams’ work in the past but found her overwrought, hysterical performance here rather offputting. Thank goodness then that Uncle Boris (Hirsch) arrives to drop a grenade into proceedings, explaining his own history with film and the arts and underlining Sammy’s forthcoming dilemma. He decides to get to work on his highest scale production to date, a war epic. These are the most joyous shots in the movie, teeming with invention especially in the deploym...